التناص القرآني في شعر يحيى عبد العظيم (ديوان كلما اشتقت ... غنى الحمام ) إنموذجاً

Abstract

Abstract:

     In this research, I touched on the Qur’anic intertextuality in the poetry of the poet Yahya Abdel-Azim, taking the artistic approach as a path and method in my research, starting from a preface to the poet’s life and then an introduction to the intertextuality and its appearance among the ancients and among the modernists, and then the direct Qur’anic intertextuality and what came in the poet’s poetry From direct Qur’anic intertextuality in which the saying is detailed and taken from the Holy Qur’an as direct evidence on which our research is based, as well as in my research I touched on the indirect intertextuality that we glimpse in the poetry of the poet Yahya Abdel-Azim in detail, and then to the most prominent results that I reached in this research. And a list of the sources and references that I relied on in the research.