الكرنفالية في الحكاية الشعبية في العصر العباسي وتجلياتها في رواية ما بعد الحداثة العربية "دراسة تحليلية في ضوء منظور ميخائيل باختين "

Abstract

Carnival is a concept and term is one of the important topics presented by Mikhail Bakhtin in the context of his research on the qualitative development of the novel, its popular references and existential themes in its general human dimension. It is a form of popular expression concerned with the marginalized and excluded from the official culture, characterized by its various forms that are based on the active presence of contradictions, also - relativism is conferred on the value constants in the field of thought and perception of the world, beliefs, and ethics, as it reflects the society , the possibility of contradiction, unleashes ridicule in the face of the constants and absolute hierarchy which do not find init - the carnival - what is plus or not important, or It can be dispensed with, but everything in it is loaded with present value and presented with an artistic awareness that accommodates the historical stage it expresses                    .

  The folktale appears to be a fertile field for research. As long as it expresses the personality of the group, and it is linked to human themes and ideas stemming from the human experience, and expressing through it his ideas and visions towards the world of existence, and at the same time it is a clear embodiment of peoples' culture and civilization. The same thing is in the postmodern novel, as Carnival is expressed in it.