أسلوبية التشكيل الإيقاعي لديوان (هالة مظلمة) للشاعر أمير الحلاج

Abstract

The research deals with the stylistics of rhythmic formation in the collection of poems (Dark Aura) by the poet Amir Al-Hallaj, and examines the nature of the rhythm that came in the style of the free verse poem, in a style different from what we found among the pioneer poets and those after them, and the prevalence of the poetic sentence in the poems of the collection, and the benefit from the stylistics of rotation to continue the rhythmic extension, which is the product of the poet’s emotional extension, to embody the emotional and emotional heartbeat in his poems. The researcher found that the rhythmic formation varies with the diversity of the experience, and its benefit from the lapses and defects in forming its rhythm in terms of speed and slowness, while the nature of the structures and words generates an implicit rhythm between its folds.