حركية الصورة الشعرية في شعر محمد عبد الباري

Abstract

If we want to define poetry simply, we can say that poetry is the poetic image. In other words, poetry is purely an imaginative image through which the poet attempts to create a world parallel to the lived world, or it is a process of bringing together, through language, the imaginary and the real. The further poetry moves from realism and the more skillfully and artistically it approaches the imaginary, the more complete and enjoyable it becomes. Hence, most critical studies focus on studying the image, as it constitutes a major component of poetic expression. Therefore, aesthetic criteria have been established for it, through which the beautiful poetic image is defined, and by which poets are distinguished. It is said that so-and-so is a beautiful poet, meaning that his images are beautiful. In this research, we attempt to study the "dynamics of the image" in the poetry of Muhammad Abdul Bari according to the stylistic approach, which is based on identifying the dominant stylistic feature in the studied literary text. The research is a study of poetic models through which we reveal..