فاعلية الخيال في تشكيل الصورة السردية (رواية "نزيف الحجر" لإبراهيم الكوني) انموذجاً

Abstract

Mediation on the body of the text chosen from the novel “Bleeding Stone” for the research leads us to focus on the effectiveness, performance, and aesthetics of imagination in the narrative text, and how the novelist extracted from the heritage to form his narrative image, and how he used and functioned some myths to give his narrative uses and work an advantage that leaves similarity, as much as it is a juxtaposition that dialogues the other myths that were extracted from it, so returning to the models that the research explored has formed important axes for monitoring and analysis. Apparently, the novelist's functions were flexible and obedient to move and slow down the wheel of narration, manipulating tenses, and effective in shaping the narrative image and when reading each part of it we realize the truth and eloquence of functioning, exaggeration and interest in the functioning of heritage. However, if we move to the fictional text, we will find how the reader was puts in front of the conceptual threshold of the research and how to differentiate between imagination and other concepts adjacent to it and immanent to it (imagination and fiction), so that the research aims to stand on the effectiveness of mythological functioning in the text that is narrated, due to the fact that each of them has a frame of reference, so how it was dealt with in which it was placed, and then followed the morphology to see the harmony or difference of the multiple narrative image paths.